![]() You then can take advantage of the metadata in production, for example to better search and manage clips in Premiere Pro, and then in delivery, by making Encore web DVD content searchable.ĬS5.5 now can import Adobe Story scripts directly into Adobe Premiere Pro to match the text for each scene to the associated clips, and then associate them with the automated speech analysis from the soundtrack. You can monitor progress in the queue, and add new clips via the new watch folders option, which can be configured with different encoding settings.Īdobe has been focusing on metadata in the Creative Suite, adding pre-production tools like the Adobe Story CS Live online service for collaborative scriptwriting and expanding OnLocation to better track shot information, so the information can move through the editing workflow. Then use the redesigned 64-bit Adobe Media Encoder to render Premiere Pro video sequences, After Effects compositions, and Encore projects, in multiple formats, and in the background as you continue working. Support for additional NVIDIA graphics cards includes mobile video cards for Windows, so with 64-bit laptops and mobile GPUs it’s now feasible to edit on a laptop in the field, on location or while traveling. To extend the range of platforms for high performance, the Mercury Playback Engine in Premiere Pro CS5.5 adds more GPU-accelerated effects and transitions, including speed changes, footage formats, field order, Film Dissolve, and Fast Blur. And for editors experienced with other editing programs, Premiere Pro adds keyboard shortcuts for many systems including Avid Media Composer and Final Cut Pro. Use the Create Stereo 3D Rig option to set up a stereo-ready 3D image pipeline to work with stereo scenes that use the After Effects camera. ![]() The improvements in CS5.5 Production Premium extend themes that we have seen developing in previous versions of the Creative Suite.Īfter Effects CS5.5 adds new camera and lighting effects, with Camera Lens Blur for realistic defocused blur with depth-of-field soft focus and halos, and Inverse-Square 3D light falloff for a more real-world effect. The subscription model provides a way to get started and experiment with these tools, try out more elements of the full suite, satisfy temporary staffing demands, and stay current with the latest versions without additional fees. But now subscription access to the entire Creative Suite Master Collection (Design + Web + Production) is available for $195 a month (or $129 a month with a one year subscription), the Production Premium suite is $129 ($85 a month with a one year subscription), and individual tools like Premiere Pro are $59 ($39) and Photoshop Extended is $75 ($49). The pricing of CS5.5 components stays the same (Production Premium for $1,699, After Effects for $999, Premiere Pro for $799, plus Audition for $349). Adobe has also introduced a new subscription model, so you can download and run the tools you want on demand, and pay for them only when you need them. Plus, the new Audition is native on Mac and Windows, with a rebuilt multi-threaded playback engine to import and edit and apply effects in parallel. ![]() Audition provides deep support for multi-track recording, nondestructive editing, and mixing (now including native multichannel support for 5.1 sound), plus audio restoration and effects. CS5.5 also adds the full Adobe Audition audio editor into the suite, replacing the simpler Soundbooth tool from CS5.
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